Nicole L.

Nicole is a writer, art critic and curator. She specializes in emerging artists in addition to art from the 1960s and 1970s. She also has special interest in art as a financial investment and the business of art. The topic of her masters dissertation related to the impact Christo and Jeanne-Claude’s The Gates had on the gentrification of Spanish Harlem. Her work has been picked up by a number of publications including the BroadSheet and the ChinaPress. She loves building and refurbishing mid-century furniture and mastering the art of French Cooking.