Usama H.

100+ logo animations delivered, and the ones that work all do the same thing: the mark builds instead of appearing. Trim paths drawing the strokes, shapes assembling on the beat, a settle at the end that lands rather than stops. Your vector file in, a finished logo animation out. MP4, transparent WebM and GIF. Forty-eight hours, revisions until the timing is right. The same build thinking carries into the rest of my work. YouTube channels. Intros and outros, branded transitions and countdown overlays. Delivered as ProRes 4444 with alpha, so they drop straight onto your editor's timeline with nothing to key. Lottie for apps and devices. Hand-built shape layers exported as clean JSON, sized for splash screens and loaders. Recent work was an icon set for the LCD menu on a camera trigger device. Kinetic typography and 9:16 social. Event stories and ad cuts where the type carries the message. After Effects templates your team can run. Swappable text and media slots, so the next version doesn't need me. Music and sound effects are commercially licensed stock, synced to the motion. Send the file and a line about where it will play. That decides most of the build.