Muhammad Majid D.

You already know what it looks like. You've seen it in your head for weeks. The trouble starts the moment you have to hand that picture to someone else and hope it survives the trip. That's the part I'm good at. I draw. Logos, characters, mascots, vector illustration, icons, packaging and merch art. Adobe Illustrator and Photoshop, by hand, the slow way. Nothing generated. Nothing traced off a stock file and sold back to you as original. Here's how it goes. You tell me what you're after, a reference, a bad phone sketch, a paragraph, whatever you've got. I come back with rough concepts before I've spent a single hour on polish. You point at the one that's closest. Then we sharpen it until you stop finding things to change. Rough first is the whole trick. Projects don't die at the finish line. They die in hour one, when everyone nods at the wrong direction and nobody says anything for a week. What you walk away with: layered AI and PSD files, SVG, EPS, PNGs sized for wherever it's going. Yours to edit, forever. No hostage files, no "that'll be extra." Tell me what you're building. If it's not something I'd do well, I'll say so and point you at someone who would.