Dmytro K.

What if your game's audio could tell stories without a single word? Every project starts the same way - figuring out what THIS game should actually feel like. For Wild Hive, that meant recording wood, leaf, and stone so every UI click felt handmade instead of digital. For Winna's casino suite, it meant stripping everything down to one clean, satisfying 'click' - because players stare at that screen for hours, and the wrong sound gets old fast. Bigger isn't better. The right choice is. That's the same thinking behind the full 𝗮𝘂𝗱𝗶𝗼 𝘀𝘆𝘀𝘁𝗲𝗺 I built for 𝗦𝗞𝗜𝗡𝗢𝗭, a Telegram Mini Game built around competitive modes like Cases, Battle Royale, and Upgrader, with 𝟯𝟱𝟬,𝟬𝟬𝟬+ 𝗺𝗼𝗻𝘁𝗵𝗹𝘆 𝗮𝗰𝘁𝗶𝘃𝗲 𝘂𝘀𝗲𝗿𝘀, and an audio system for a live-event installation where people kicked a real football at a wall made of LEGO. Different worlds, same approach - and it holds up everywhere I take it. Outside games, that same ear has landed forward-thinking electronic music on labels like 𝗡𝗢𝗜𝗦𝗜𝗔'𝘀 𝗜𝗻𝘃𝗶𝘀𝗶𝗯𝗹𝗲 and 𝗗𝗶𝘃𝗶𝘀𝗶𝗼𝗻 (NL), 𝗗𝗶𝘀𝗽𝗮𝘁𝗰𝗵 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴𝘀 (UK), and 𝗣𝗹𝗮𝘀𝗺𝗮 𝗔𝘂𝗱𝗶𝗼 (AU), and on platform like 𝗩𝗜𝗦𝗜𝗢𝗡 𝗥𝗮𝗱𝗶𝗼. My work has been praised in respected media like Randah Mag and Goat Shed - reflecting both sonic originality and 𝘁𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹 𝗲𝘅𝗰𝗲𝗹𝗹𝗲𝗻𝗰𝗲. I'm also currently shaping the sound for 𝗦𝗼𝘂𝗹𝗣𝗼𝗱, a meditation app named in a recent 𝗙𝗼𝗿𝗯𝗲𝘀 feature. Got a clear vision for how your project should sound? Let's build it. Not sure yet? Even better - that's usually where the fun starts. 𝗠𝘆 𝗦𝗲𝗿𝘃𝗶𝗰𝗲𝘀: ✧ 𝗚𝗮𝗺𝗲 𝗔𝘂𝗱𝗶𝗼 & Interactive Sound Systems ✧ Dynamic 𝗦𝗙𝗫 𝗗𝗲𝘀𝗶𝗴𝗻 ✧ Sound Design and Ambient creation for Motion Graphics, Games, Movies ✧ 𝗠𝘂𝘀𝗶𝗰 𝗣𝗿𝗼𝗱𝘂𝗰𝘁𝗶𝗼𝗻 ✧ 𝗔𝘂𝗱𝗶𝗼 𝗕𝗿𝗮𝗻𝗱𝗶𝗻𝗴 ✧ AI Voiceover Creation ✧ Audio Editing / Mixing / Mastering 𝗠𝘆 𝗧𝗼𝗼𝗹𝘀: ◦ Ableton Live ◦ Reason Studios ◦ iZotope - Ozone ◦ Kilohearts - Phase Plant ◦ Xfer Records - Serum 2 and 𝗮𝗻𝗮𝗹𝗼𝗴 𝗴𝗲𝗮𝗿 from Korg, Moog, and Roland Hit me up by clicking the 𝗠𝗲𝘀𝘀𝗮𝗴𝗲 button!