Ines M.

You already know how this usually goes. You hand over the files, wait three days, and get back something that looks edited. Skin like plastic. A cutout with white halos around the hair. A composite where the light comes from two different suns. Now you're doing the work yourself anyway, or worse, sending it back and losing another week. That's the problem I exist to solve. I've spent 5+ years doing high-end manual retouching and compositing, the kind that holds up at full zoom and print resolution. Portraits and headshots where skin still looks like skin. Editorial work that keeps its edge. Complex restoration and compositing where the fix is invisible because that's the whole point, right. Retouching that doesn't look retouched. You can count on me for: ✍︎ Compositing: adding people into photos who weren't there, attire swaps, removing people from the photo. ✍︎ Restoration: black-and white, color, scratches, blurriness, you name it, I've done it all ✍︎ High-end portrait retouching: skin, stray hairs, garment fixes. ✍︎ Color correction: fixing light, colors and mood so the image actually looks good. ✍︎ Any super hard edit you don't know what to do with: hand it over! And to remove any risk from working with someone new: ✓ I don't stop editing until you're happy with the result. ✓ If the edit really isn't what you expected, you don't pay. If it's not the best edit you've ever seen, you've don't pay a dollar. You shouldn't have to gamble on a freelancer. I'd rather just do the work and let it speak for itself. Simple as that. If you have a photo that needs work, send me a quick message and I'll take a look.