Alex L.

I don't cut videos one at a time. I run the system that produces them, and I care a lot about the people I make them for. Two ways people hire me. THE SYSTEM. A script-to-video pipeline in React, Remotion and FFmpeg: a component library that holds one look across a whole series, scenes driven by parameters instead of redrawn by hand, batch rendering, burned-in captions, masters conformed to platform loudness, and the vertical cut built from the same source. On a build project the repository is yours at the end. That is how I deliver an 80-episode financial literacy series for a UK channel: the library first, then episodes assembled against it, twenty in and counting. THE OUTPUT. Episodes, films and product videos coming out of that pipeline, weekly or twice weekly, for as long as you need them. Since September on Upwork: a 2:48 product film for an AI training platform whose team came straight back for a second film; in-app help videos for a puzzle app, described in data so they re-render after every release, which the client adopted as their standard; a weekly documentary series from the client's script and voice-over; a five-chapter film built from a book. Thirteen contracts so far, every review five stars. Six channels of my own run alongside that work, in six different formats, one of them at six episodes a week. All of them go through the same pipeline: script in, frames and voice generated, cut points read off the narration by code, the episode assembled by script, then a vertical cut for Shorts, Reels and TikTok out of the same build. That is the whole offer. The first episode costs what an episode costs. The tenth is assembly rather than creation, because the look is held by reusable components instead of being redrawn each time, so it costs less and looks identical to the first. One change to one component updates every episode at once. WHAT I TAKE ON - Recurring series for YouTube and education channels: weekly or twice weekly, indefinitely, held inside one visual system. - Documentary and story episodes from your script and voice-over: stock, archive, animated b-roll, motion graphics and sound. - Data and infographic explainers for finance, science, business and technology. Counters, bars that build, line graphs, split comparisons and stat cards, all driven by the numbers in your script. - Product films and explainers for apps and SaaS, without a shoot: generated scenes, your interface rebuilt in code around them, a cast narrator. - Films from what you already have: your footage, your family photos, your book. - Help and onboarding videos for apps, rebuilt on every release instead of re-edited. - Amazon and ecommerce product videos from your listing photos, 16:9 and 9:16 out of one build. - Long videos cut down into Shorts, Reels and TikToks. - Detailed briefs. Give me a numbered scene list with settings, on-screen text and frame types and I execute it as written. HOW IT IS BUILT, AND WHAT THAT MEANS FOR YOU I animate in code: React, Remotion and FFmpeg. Every scene is a component and every number is a parameter, which is why a change at episode thirty does not mean thirty files reopened by hand. You get finished masters in every format your channels need, captions and assets, and on a build project the repository itself. Live-action filming is not something I do; everything is built from your footage and photography, or from generated and animated frames. HOW WE START Send me one script, one product page, or the material you already have. I will tell you what I would build for your format and how I would get the first one to you this week. I answer within the hour during the day, and I would rather show you a first cut than a long proposal.