erkin o.

I make AI film that looks like film, not like AI. 10+ years as a VFX Supervisor and Nuke compositor on award-winning TV commercials, music videos and documentaries. I now bring that same finishing standard to AI-generated video, so your campaign holds up on a cinema screen and not just in a feed. WHY CLIENTS COME TO ME AFTER TRYING AN "AI VIDEO CREATOR" Most AI video breaks in the same places. Faces flicker. Products drift and change shape between shots. Logos and text warp. Skin goes plastic. Cuts do not match. Every one of those is a compositing problem, and I was solving compositing problems for a decade before these models existed. So I work in two passes. I generate with current models, then I take the shots into Nuke and DaVinci Resolve and finish them properly: clean plates, tracked replacements, real grain, a real grade, and consistent characters and products across every shot in the campaign. ALREADY HAVE AI FOOTAGE THAT IS NOT WORKING? Repairing generated footage is now most of my week, so I run it as a separate fixed price service. Send me what you have and I will tell you shot by shot what can be repaired, what needs regenerating, and what is not worth your budget. You get that assessment before you commit to anything. ✅ Flicker and temporal instability, brightness and texture crawling frame to frame ✅ Warping and morphing, features that drift or change shape mid shot ✅ Garbled logos and unreadable text, tracked and replaced with your real brand assets ✅ Products that change label, colour or proportion between shots ✅ The AI sheen: plastic skin, waxy highlights, missing grain ✅ Edge contamination, halos, banding and compression artefacts ✅ Shot to shot grade and continuity, so a sequence cuts together as one piece ✅ Uprez, retime, correct motion blur, proper codecs and colour space Some shots are cheaper to generate again than to paint, and I will tell you that instead of billing you for a fight I cannot win. Priced per shot. Rate card on request. WHAT I DELIVER ✅ AI commercials and brand films, from concept and look test to final master ✅ Product and UGC ad sets that keep the product accurate and on brand ✅ AI and live action hybrids, with generated elements sitting invisibly in real footage ✅ Character and product consistency across a full campaign CLASSIC VFX AND POST, STILL MY CORE ✅ Nuke compositing, CGI and multipass integration, matte extraction, roto, match move ✅ Object and screen replacement, wire and rig removal, beauty and video retouch ✅ 2D matte painting, cleanup, digital makeup ✅ Online edit, conform, colour grade and delivery to broadcast spec TOOLS Nuke · DaVinci Resolve · After Effects · Blender · Fusion · Mocha · Photoshop · ComfyUI and local diffusion pipelines HOW I WORK Send me the brief. You get a look test before the full build, one point of contact who is also the person doing the finishing, and masters in every format you need: 16:9, 9:16, 4:5 and 1:1. I keep a small slate, so every project gets supervision instead of a queue. If AI is the wrong tool for your idea, I will tell you that and show you what will actually work. Showreel and rate card on request.