Iegor P.

The video above is my 2026 showreel: one character (me) across sci-fi, a car commercial, a historical drama, an action chase, 3D animation, a music video and a travel film, then a cut of real client work. The same face holds in every shot. That is the core of what I deliver: consistent characters and products, directed and cut like a real film. I direct and finish AI video for brands and studios: commercials, product films, music videos, animated series and social ads. Before AI, I spent 13+ years as a film editor in commercial and TV production, working on campaigns for Pepsi, McDonald's, Samsung and Uber. One person covers the whole chain: concept and script, storyboard, image and video generation, edit, sound design, color and delivery. I cut like an editor, so pacing, continuity and sound make the AI footage feel like a real film. What clients hire me for • Character and product consistency across 20–60 shots • Commercials built like real ads: macro details, hero shots, product reveals • Music videos cut to the beat, with performance and choreography • Animated series: a 2-minute kids' pilot for a streaming platform, matched shot for shot to the director's animatic • Historical and biblical drama with crowds and period locations • Hybrid productions: AI shots mixed with live footage, stock and brand assets • 3D previs in Blender before generation, so camera moves and blocking are locked early • Series at volume: one visual style held across dozens of episodes • Vertical and horizontal cuts from a single production Tools: Seedance, Kling, Veo, Runway, Higgsfield, Magnific, Midjourney, Nano Banana, GPT Image, ElevenLabs. Final Cut Pro, DaVinci Resolve, After Effects, Blender. How we start: send a product, a script or a rough idea. I reply with an approach, a style frame and a price. You review every cut on a frame-accurate link and leave comments right on the frame.