Fruzsina M.

AI made content cheap. It didn't make it profitable. I find the organic growth a site already has and isn't collecting — and then do the work, not just the report about it. I built a health site from zero to roughly 100,000 monthly impressions and 10,000 AI citations, in YMYL, the category Google is strictest about. For a DTC brand, 250 strategically sequenced articles doubled organic traffic in under three months and it is still climbing. Before that, three years running content and SEO in-house at a national marketplace: around 6,000 published pages, 450 inherited pages audited, 272 deleted, 1,055 rewritten. I work from Search Console and GA4 rather than a tool's default recommendations, and I judge content on what it earns rather than on impressions. SEO and organic growth Technical and content audits, query-level intent mapping, cannibalisation and consolidation, internal linking, information architecture, content gap analysis, refresh and optimisation cycles, programmatic and templated content at scale. Diagnosis and implementation, not one without the other. Content operations and editorial leadership Editorial standards, prioritisation, briefs writers can actually use, QA at volume, and managing small production teams to a number. AI-assisted production pipelines with review layers that catch what the automation gets wrong. Grant writing — nonprofit and arts Several hundred successful applications researched, written and managed. Full applications, budgets, letters of intent, reporting, funding calendars, eligibility mapping and prospect lists. Creative Europe, Erasmus+, Canada Media Fund, Telefilm, CALQ and Hungarian national funders. I founded and ran my own grant consultancy and have run a cultural foundation continuously alongside it. Hungarian language work Native Hungarian with professional English: translation, localisation, proofreading and large-scale linguistic QA. Recently completed a multi-register Hungarian corpus revision project spanning voice assistant, podcast, audiobook, news, colloquial and emotion-labelled speech. Creative writing Long-form narrative, essays, scripts and treatments, and brand voice that carries a personality rather than a formula. Two decades in arts, culture, film and dance sit behind this, so cultural subject matter is native ground rather than research. I work best from a clear brief and a defined deliverable. Accuracy at volume and deadlines are the two things I'm consistently hired back for.